As one of the Senior Staff Sculptors
and Head of the Model Shop at Chiodo Entertainment, I am constantly given
the most challenging of pieces. When I was first given this design by
another artist I was presented with the challenge of creating an elaborate
and intricately, detailed sculpture with a very tight budget that did
not allow for a multi piece mold. Not to mention meeting a strict weight
limit. I utilized a technique that was first pioneered during the Jazz
Court project of carving the rough form out of foam, then covering and
detailing the surface with a thin layer of Magic Sculpt, which is durable
and passes fire code. Windows were cut in key areas, and a solvent was
then used to dissolve the foam out thereby leaving a hallow, lightweight
Magic Sculpt shell. What you have, is a sculpture with floating, sea anemone
like edges that seemingly defy gravity. Since Magic Sculpt passes Fire
Code, an armature could be welded directly inside. Because it was an amazingly
successful technique, it became a standard method for several more projects.
25 pieces total.
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